Don Carlo (2008)
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Opera: Production details
| Company: |
The Royal Opera |
| Production premiere: |
6 June 2008 |
| Director: |
Nicholas Hytner |
| Revival director: |
Paul Higgins
(2013, 2017 revivals) |
| Set designer: |
Bob Crowley |
| Costume designer: |
Bob Crowley |
| Lighting designer: |
Mark Henderson |
| Movement: |
Scarlett Mackmin |
| Fight director: |
Terry King |
| Co-production with: |
The Norwegian Opera |
| Co-production with: |
Metropolitan Opera |
| Sponsor: |
Coutts; Peter Borender; The Dalriada Trust; Aline Foriel-Destezet; The Monument Trust; Simon Robertson (original production, 2013 revival, 2017 revival); Virginia Robertson (original production, 2013 revival, 2017 revival); Mercedes Bass (original production and revival in 2013); Sid Bass; RLM Finsbury (2013 revival); Susan A. Olde (2013 revival); Pierre Lagrange (2013 revival); Roubi L'Roubi (2013 revival); Spindrift Al Swaidi (2013 revival); David Hancock (2013 revival); Mrs Philip Kan (2013 revival); Marina Kulishova (2013 revival); Mrs Trevor Swete (2013 revival); The Maestro's Circle (2013 revival); The Verdi Syndicate (2013 revival); Nicholas Scholes (role of Don Carlos in 2013 revival); Barbara Scholes (role of Don Carlos in 2013 revival); Anonymous donor (role of Don Carlos in 2013 revival); The Sargent Charitable Trust (role of Tebaldo in 2013 revival); MariaMarina Foundation (role of Tebaldo in 2013 revival); David Kershaw (role of Carlos V in 2013 revival); Clare Kershaw (role of Carlos V in 2013 revival); Christine Kennett (role of Carlos V in 2013 revival); Peter Kennett (role of Carlos V in 2013 revival); Anonymous donor (role of Carlos V in 2013 revival); Anonymous donor (role of Voice from Heaven in 2013 revival); Lorna Bown (role of Grand Inquisitor in 2013 revival); Christopher Bown (role of Grand Inquisitor in 2013 revival); The Royal Opera House Endowment Fund (2013, 2017 revival); Aud Jebsen (2017 revival); The Taylor Family Foundation (2017 revival); The Patrons of Covent Garden (2017 revival)
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| Notes: |
This production used Verdi's five-act Italian version of 1886.
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